Why should the people of Birmingham have 100% arts cuts imposed on them? Brummies are quite capable of devaluing their own art without official encouragement. In 2020, the director Michael Cumming and I completed King Rocker (“One of my all time favourite rock docs” – Mark Kermode; “the new gold standard for rockumentaries” – the…
In this brand new show, Lee shares his stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the culturally irrelevant and physically enfeebled Lee. Can the beast inside us all be silenced with the silver bullet of Lee’s unprecedentedly…
Nineteen years ago now, I was asked to perform my standup high in the Colorado Rockies at the Aspen comedy festival, a trade fair for the American comedy industry patronised by wealthy locals. In super-affluent Aspen, I discovered, to my horror, economically uncompetitive service industry workers were homed in special “employee housing projects”, like castrated…
I am often accused of fabricating false taxi drivers, to create straw-man mouthpieces to embody easily satirised counter-arguments that I want to kick to death in my standup comedy, from the lofty position of a patronising north London liberal elitist with his own column in the Observer. But there’s no need to invent them. My…
On Wednesday, I watched Jeremy Hunt unveil the budget live on TV, though a carefully coordinated campaign of leaks to client media outlets meant it held little of the excitement it did in the 1970s. Where’s the fun in that? If Hunt’s 2024 budget was a 19th-century Parisienne burlesque artist, she would have walked on…