Sourcing fresh meat, a cabal of powerful Pygmalions, including Tompkins Square records and Sonic Youth’s Thurston Moore, declare Michael Chapman not an overlooked English Seventies singer-songwriter, but an innovator in the vein of John Fahey and the American primitive school of tranced-out folk blues instrumentals. Now he’s the subject of a tribute record, Happy Birthday,…
The Fall’s five releases from 1980-1983, – Grotesque (After The Gramme), Slates, Hex Enduction Hour, Room To Live and Perverted By Language – fused garage punk and droning Krautrock stasis with primitive improvisation, Mark E Smith in expansive lyrical flow. The Fall were the rock refusenik’s rock band. But in 1984 a pre-album single, the…
Sweet England, the long unavailable 1958 debut by the grande dame of English folk Shirley Collins, conjures a simpler world, where children learned Cecil Sharp’s Folk Songs For Schools in assembly. Yes, there’s a whiff of Kenneth Williams’ folk singer character Sid Rumpo in the hey nonny vocaleese, and Shirley herself writes “as I matured,…
Brent Burkhart joins the queue of post-Seasick Steve floorboard-stomping bluesmen, and trails the usual mis-spent childhood story, losing his eye tormenting snakes on stage with his Pentecostal revivalist family. Hymns to Jesus, Satan, booze, blues and drugs are barked one-man-band style over kick drum and rusted electric guitar, but despite the authentic Flannery O’Connor flourishes…