Stewart Lee: Content Provider at Leicester Square Theatre (02/12/16) − A show with all the virtues and vices of a remarkable, occasionally infuriating stand-up. It’s been marketed as Lee’s first full-length show in five years, but that’s semantics: it’s simply that he’s no longer honing half-hour segments for a TV show, since that TV show’s…
I think I can state with a fair degree of certainty that audiences coming out of the theatre will from now on be identifying the man in Gaspar David Friedrich’s 1818 painting, The Wanderer Above a Sea of Fog, with Stewart Lee. Lee, stand-up comedian and columnist, has won many British Comedy Awards for his…
It starts with a cheerily vivid threat of violent retribution to users of camera phones. It ends with a visual punchline: a riposte to generation selfie delivered from on top of piles of rival comedians’ remaindered DVDs. And in the two hours of jokes about Brexit, Trump and “the individual in a digitised free-market society”…
Brexit and Trump now loom over culturally engaged comedy, where behind-the-curve jokes can be easily exposed. Stewart Lee – just as his wife, Bridget Christie, did in Edinburgh this year – begins by complaining that his new show, Content Provider, has been derailed by the EU vote. The original idea was to explore, with reference…
In Content Provider, Stewart Lee‘s agenda is nothing less than all that’s wrong with the world in this social media age, from the insular echo-chamber of opinion, through selfie-taking solipsism to the instant gratification that means no experience is hard-won, leading to a generation of infantilised young adults defined only by the shallow. They are…