Since it was founded in 1982, The Wire magazine has covered a vast range of alternative, experimental, underground and non-mainstream music. Now some of that knowledge has been distilled into The Wire Primers: a comprehensive guide to the core recordings of some of the most visionary and inspiring, subversive and radical musicians on the planet,…
In the 1980s, the charts overflowed with what felt to many like the most boring pop music ever made – and the underground exploded. The post-punk scene was a diverse collection of bands brought together by independent releases and aided by reportage in fanzines and airplay by John Peel. This is the first time this…
Ben Moor’s stories mix the magical with the everyday in a world just to the left of ours. In Coelacanth, the sport of competitive tree climbing is the background to a romantic comedy with dangerous edges. Along the way we meet imaginary flatmates, underground Compliment Clubs and deeply oblivious fish. Not Everything is Significant is…
I wrote an introduction for Tim Bradford’s An Urban Country Diary For fifteen years, Tim Bradford has meandered round the quiet streets of his North London home, seeking out the ordinary and the extraordinary, the sublime and the ridiculous. A London Country Diary documents his wanderings – he attempts to rescue a deer in Clissold…