‘What could’ve emerged as a monumental act of hubris is rescued by Lee’s humility, wit and intelligence. Together with annotated insight into three outstanding stand-up shows, he mingles obtuse autobiography with acute essays on the state of British comedy from the alternative era onwards.’ Paul Whitelaw, Word (10 Best Books of 2010) ‘…contained unexpectedly deep…
Stewart Lee gave up stand-up comedy in 2001 after deciding that his material was “arch, cynical, tired, fake, conceited, formulaic and flat”. He threw his energies into co-writing and directing Jerry Springer: the Opera, which earned him an Olivier Award, opprobrium and no money. In 2004, he began his comeback as an “alternative” comedian, and…