Stewart Lee’s latest show boasts value for money as he delivered two hours and twenty minutes of largely new material, where he takes seemingly familiar subject matter to abstract and hilarious new territory. Lee opened many of his segments at the Philharmonic Hall with an ostensibly simple and recognisable situation such as the affrontingly ignorant…
Remember Stewart Lee’s last show, Carpet Remnant World? There were dazzling lights, recalls Lee, countless individually-illuminated rolls of luxurious pile, sound queues, and a cohesive underlying narrative. By Lee’s own admission – in fact he discusses it at length – this show isn’t anything like that. Much A-Stew About Nothing (or Much Ado About Stew,…
Mark Jorgensen visits the Lowry for an alternative comedy experience IF comedians were films – which granted, they aren’t – Stewart Lee is the type you’d watch at the Cornerhouse rather than the Odeon. He is the only comedian in the world who can tell you the exact time, content and rationale of a ‘joke’…
If 2011’s Carpet Remnant World was Stewart Lee’s ground-breaking psychedelic album, then Much a-Stew About Nothing could – as its title suggests – be his next batch of unfinished demos. And on first listen it seems, that with a bit of work in the studio, there could be some more cult-classic comedy hits on the…