The older Stewart Lee gets the more militant he becomes. Carpet Remnant World finds stand-up’s Tony Benn raging at the state of the nation with satirical style. It also finds him raging at the state of comedy. There are swipes at Frankie Boyle, Russell Kane, Jimmy Carr, Ricky Gervais and more. Deceased writers do not…
Poor Stewart Lee. Despite BBC Two’s best efforts to conceal the second series of his stand-up show, he finds himself more popular than ever, attracting audiences big enough to sustain a residency in London’s Leicester Square Theatre from now until the middle of February. But such success does not sit easy on Lee’s weary shoulders,…
The future of British free improvisation is safe in the hands of modestly monumental musicians like Alan Wilkinson, captured here alone and virtually naked, blowing his horn unaccompanied in a disused Dalston hospital. A stately and stark take on Ornette Coleman’s Lonely Woman shows sceptics Wilkinson can carry a tune should he wish to, and…
Alison Blunt, Ivor Kallin, and Hannah Marshall spontaneously score three lengthy pieces, and a short spasm, for violin, viola and cello. Barrel’s music, they admit, involves a lot of scraping. Initially, the trio’s genetic make up means it’s difficult to for the listener to peer through the shadow of the classical tradition or the minimalist…
The Fall’s 29th studio album, in 35 years, finds Mark E Smith fronting a kind of amphetamine drone rock band. The 2011 model grooves on two or three chord riffs, pounding bass booms, and Eleni Poulou’s retro keyboard blips, like some ancient krautrock legend, but pin-eyed with punk intensity, spattered with Smith’s kaleidoscopic shards of…