Stewart Lee’s new stand-up show brimmed with the unapologetic, politically skewed charm that the comedian has built his career upon. Split into a double-bill of two hour-long halves, Snowflake/Tornado revolved around two different subjects, but both interlinked well in what was a cohesive performance. The English stand-up performer, writer and director has received big praise…
Stewart Lee is probably the most influential comic of the last 30 years. This a fact not lost on him, or indeed his audience, as he repeatedly reminds us during Tornado, the first half of his latest show. He makes The Times’ coronation of him as “the world’s greatest living stand-up” a centrepiece of the…
Netflix’s arrival has reinforced the notion of a stand-up hierarchy, while complicating the perennially wretched subjects of taste and offence. Watching any comic on a subscription service implies consent to hear certain material. Yet the streaming juggernaut’s power and reach means any targets of alleged ‘punching down’ (as in Jimmy Carr’s recent gypsy Holocaust gag)…
What a difference two years makes. When I was last sat in Canterbury’s Marlowe Theatre awaiting the arrival of Stewart Lee it was against a backdrop of impending doom. He was set to play two nights here as part of his Snowflake/Tornado tour in March 2020, but things were cut short after the first. In…