The notion of status has always been crucial to Stewart Lee’s stand-up, whether it be his place in the world or how he interacts with his audience. Anyone who’s read the annotated transcripts of his shows knows the attention he pays to subtly ensuring he is always on the back foot. Despite critical acclaim and…
“I don’t really have any friends who are comedians,” Stewart Lee sighs, mock-pitifully, in his superb new show Snowflake/Tornado. It’s easy to see why. One of the few taboos in stand-up comedy is stand-up itself. Most comics shy away from discussing their peers onstage, but not Lee. Dave Chappelle, Ricky Gervais and Josh Widdicombe are…
What is Stewart Lee’s position in the comedy marketplace? And whither his “metropolitan liberal elite” sensitivities in the post-PC age? These are the questions Lee considers in his first new live material for three years, divvied up into two sets: Tornado and Snowflake. Tonight, he tells us with his trademark mix of disdain and high…
Stewart Lee’s latest show is actually two shows. In Tornado he takes his cue from a Netflix listings error that confused his stand-up special with a shark film gorefest. Then in Snowflake he plunges into the world of political correctness. To be frank, there is not as much distinction as one hoped. Ricky Gervais, for…
Stewart Lee has written another show, additional hours of content for his consumers. He arrives on stage bearded, barrel chested, announcing ‘Julian Assange has let himself go.’ The joke is self-referential, alluding to an earlier routine in If You Prefer A Milder Comedian. Lee has such a loyal following he can now callback to jokes…